
Saturday and Sunday, it rains in Cape Cod.
It's a thick consistent, cold watering, a chilly reminder that Labor day is here.
So I remain inside my parents' condominium, the condominium attached to the country club golf course.
I sit in a tub (a spa-type whirlpool) off the master bedroom. My parent's have never used it.
(it's noisy and feeble)
Sitting in the tub, I try out various vocal and diction exercises to strengthen my withering "old man" voice.
1. The first paragraph of Nabokov's LOLITA
2. "What a to do, to die today
3. "Sally sells seashells..."
In recent years, I'd get up and work on a MOZART aria, every day, sometimes twice a day, trying to deepen my range, polish my neglected talent.
(Now) the plan is, that whenever I take my supplements (3 times a day) I will stop and do five minutes of diction and vocal work.
This is hard.
Because, when I confront my losses, I'm overwhelmed. When I am presented with my immobile right foot (for instance), my mind spins into "wounded animal" mode.
I want to gnaw my way out (out of the disease).
Indeed, this is how some people deal with the end of their life.
They chew their way out.
In my tub, after three minutes of simple diction exercises, my tongue and throat rebel. My vocal chords gag.
I sound like the girl from THE EXORCIST.
(My agent called me a couple of days ago with some cold bookings for PIZZA HUT.
I emailed back,
Bobby-
Charlie here.
So very happy to hear from you.
I am (alas) not in top form.
This means, my voice is crap.
They would find me somewhat limited at the booking.
I am working on it, but I am out of commission for now.
I will call you with more details.
;-) CHARLIE
But I never did call him, instead,
after my tub, I decide to confront the madness of my massive paperwork.
The rain invites me to take it on.
I stumble down to the lower level of the condo. I arrange my insurance statements and bills, my various tests results, my application for my SAG pension, my statements from social security, in piles on a card table by the computer.
It rains. The sliding glass door is open to a brick terrace with an umbrella table and four matching chairs, a view of the golf course beyond. The trees are mint green, the sky is silver.
The air is cool and wet.
The paper work overwhelms me.
The rain drugs me.
I move to the sofa.
I lie there. I am sapped.
I only have "get up and go" during my morning coffee or after my third sip of Shiraz.
I hear my mother padding down the stairs. I turn on my stomach and spoon a pillow.
My mother joins me in the cool, dim room. The room is defined by the rain.
She sits in a nearby overstuffed chair (green with butterflies) and puts a throw pillow over her midsection.
We are at sea.
We could go to the movies,
but all of Cape Cod will be at the cineplex today.
I ask my mother to look though my father's video collection. She calls out a list from a nearby bookcase.
(my father enjoys war-movies and westerns)
My dad's cable system has 5000 channels. I find it difficult to navigate. I can't find any of the real channels.
There are lots of infomercials about clearing up your skin, flattening your hair, or makeup made from minerals grease free and a part of your body's own natural chemistry.
I watch these progams. I watch them like a six year old watching morning cartoons.
I imagine what the lives are like for the people who are IN the infomercials.
(They live in oppressive over decorated homes in the Valley)
I wonder how the people on the shows manage to be so simple and committed, so awestruck by the product... this hair flattening device.
(I suppose these are shot in LA and living in LA renders one shameless)
And I am taken in!
Does being able to flatten your hair (so easily and readily) truly make for the kind of life changing experience they suggest? The women's reactions to the product are so committed, so positive! It's seductive.
I want flat hair too! Forget my ALS medications, R-(+)-pramipexole and rilutek!
If I flatten my hair, it will shine and behave! This is important! THIS is life.
I move on.
I see what's been saved to TIVO.
There's "The Third Man" and "Some Like it Hot"
I push the button for "Some Like it Hot" without consulting my mother.
As the credits begin, my mother says "oh. I love this movie" like it came on by itself.
(My mother who makes puts and calls in the stock market daily, is clueless about the workings of the TV, clapping her hands in amazement when you surf from channel to channel.
I (actually) am ambivalent about watching this movie, mostly because it's on the "top ten list" of the funniest movies of all time.
And while I admire its skill, I've never laughed out loud watching it.
Also, there is something dark and weird about Tony Curtis and Jack Lemon, something frightening about their drag. These are horsey, scary ladies. And the men in the movie are constantly hitting on them. The women seem blithely unaware.
All of this troubles me.
As the movie proceeds, my mother again, tells me that she loves this movie! She's seen it at least twice. (A lot for her)
She saw it in the theatre in 1959 and at least one other time she can't remember.
"Jack Lemon is so good, he's kind of like Jack Nicholson, he plays around in different roles.
Look how pretty Marilyn Monroe is! Poor thing, you know that John and Bobby Kennedy really destroyed her."
Ted Kennedy has died this weekend. I think my mother is the only person in Massachusetts with no regrets.
(There are flashing neon signs along the highway that say " Thank you Ted Kennedy" or something like that)
"A lot of people respect and adore him" I tell her.
"Who?! Just the Catholics in Massachusetts."
"NO! He's respected on a national level! Every living president is sitting at his funeral right now."
(My mother can't forgive him for Mary Jo Kopecky)
I tell my mother "I'm going to find an "I REALLY DISLIKE THE KENNEDY'S - FAN CLUB" on Facebook (for you)."
This suggestion is lost on her.
As Tony Curtis eggs on Marilyn Monroe to kiss him, I look over at my mom. She's laugh-crying, tears running down her cheeks. She holds her index finger to each eye to wipe away her tears.
And through my mother, I see how funny this movie really is. The actors are so committed to the ludicrous setup.
They play it like live theatre.
The writing comes fast and sharp.
The chemistry is magic.
Marilynn Monroe makes the conceit of the drag work because her ethos is so childlike and gullible.
By the end, I'm aware of the character's flaws and worry about the choices they've made.
This is not what the movie intends, this is where my head is (these days).
I think Marilyn Monroe and Tony Curtis will fight when the sex gets boring. Marilyn will become an alcoholic.
As soon Jack Lemon gets away from the resort and on steady ground, he will punch that old guy in the face.
My terrible disease forces me to think more practically about life's decisions.
___________________________________________
The next morning, Sunday, it's still raining.
My mother and I go to the Episcopal Church off the main square in historic lovely downtown Falmouth.
We get there at eleven, an hour late, we get there just as they're beginning communion.
My mother immediately joins the line for communion and (over-shares) with the lady running the line that only SHE will be receiving communion today "as my son (pointing to me) has difficulty walking". I rap on my mother's hand to stop her, "she doesn't need to know that!" I wine, like a gruesome teenager.
After the service, we let everyone file out in front of us.
It's a crowded church. The usual suspects. Mostly white senior citizens, men in madras, navy blue blazers and natty ties. The women in various summer pastels and flower print dresses.
As we wait for the church to clear, I notice an odd looking woman in the pew directly in front of us.
Her hair is thick and lush and out of control, like she put it in curlers a few nights ago and hasn't touched it since.
She wears a white button down cotton sweater over a pastel summer dress. Her lumpy shoulders are rounded over.
Poor thing, she's been trying to hide her size her entire life and now she's all collapsed.
My mother and I stare at the woman. The woman is a man. This man is dressed like a woman. The man-woman talks politely to an older preppy man in a rep tie next to her. We know it is a man but she doesn't care. She is blissful. The older man, the passers-by, the congregation, joins in her fiction, accepts her dominion.
I stare with icky fascination (I am troubled) but after awhile, there is nothing left to do but accept.






