It's the day before my birthday.
It's three in the afternoon and I sit naked in my wheel chair. (When I'm alone, it takes hours to complete the morning rituals).
I have eaten brunch, taken an army of anti-oxidants, and read the paper. Here I sit, all wiry flesh, in my bathroom, hovering over the sink. (The day must begin at five).
I attempt to floss. (I can't floss everywhere because fingers on my right hand can no longer hold the floss tight).
I shampoo. (I pour cups of water over my head and lather up).
I brush my teeth. (I scrub away, my elbows resting on the sink counter).
I wash. (I use a hand towel and soapy water to clean my body and vaguely recall Pedro Almovodar's "Talk to Her" - the methodical, almost religious ritual of washing the beautiful woman in the coma, her torso, a gorgeous sleepy stone sculpture. (This is how I choose to picture my owninert limbs. I will take care of them until they wake up).
Scrub. Wipe. The cloth returns into the soapy water. I lean over - no longer able to sit up.
I wash in the dark.
"Hello!?"
There is a stranger in the apartment. My front door is ajar, as always. I'm not alarmed. My nervous system normally susceptible to creeping adrenaline, is spent. There is no more. So I continue.
"Who is it?" I manage in low volume.
"Charlie Roberts?"
"Yes."
"I have flowers for you."
I grab a towel and cover my exposed lap.
"Come in. I'm in the bathroom."
My life is a pale farce. Attendants enter (stage; up center) to deliver, clean, massage, heal, feed. All the little scenes seem the same. All follow the same easy script, ernest introductions, simple instructions, followed by my tired, flat, response. (You're here to help. I'm a pampered movie star. Do what you must).
"I'm in the bathroom. It's okay. I'm covered. You can put the flowers down in the kitchen."
The delivery person ducks her head in.
"Oh. Sorry!"
"It's okay. Put them anywhere."
I go back to my Pedro Almodovar scene and hear the sound of cellophane in the next room.
"Is it your birthday?"
"Yes."
"I can see. There's a balloon!"
(Must be from my mother, still clinging to paper table-cloths, snoopy sheets, mylar balloons).
I wait for the delivery person to leave. I wait for the sound of the door catching on the little hinge it keeps ajar.
I wait in silence. (Are they robbing me?)
"Hello?"
"Yes, I just need you to sign."
"Oh. Come back in. I'm covered. Come in."
A healthy woman, cropped hair, middle aged. Good energy. Intelligent. She picked this job on some career dare. "I love flowers. I love walking the city. I love people. I'll quit my job in corporate accounting and deliver flowers."
"I need you to sign here."
I grasp the clipboard and begin the challenge of creating a signature, something that gets harder and harder.
"May I turn on the light for you?"
"Sure."
The light clicks on and we are side by side in my intimate bathroom, me mostly nude. We're strangers facing my bathroom mirror in the bright light.